The Rapid Development Of China'S Clothing Economy Needs The Promotion Of Women'S Clothing To A Certain Extent.

Clothing is closely related to the quality of life of everyone.

With less industrial investment, fast market, and labor-intensive industries, coupled with the fact that fashion demands small quantities, varieties, fast paced and non-standard, it can not be monopolized by pnational corporations, so it often becomes an indiscriminate force in a country's industrialization. The old imperialist country Britain relies on the textile industry closely related to clothing. Now the textile industry includes the printing and dyeing industry and the garment industry. It is called "big textile", and the United States is coming from behind. Especially in emerging countries such as Japan, South Korea, Taiwan and Hongkong, China is no exception.

Nowadays, most of our export dresses are

Products, low added value, coupled with excessive competition among domestic textile and garment enterprises in foreign markets, have lowered the average profit margin.

Pessimists believe that the world economy has entered the stage of international division of labor. The economic mode has been immobilized, and information intensive countries, such as the United States and capital intensive countries, such as the Middle East, labor intensive countries, such as China, each have their own stable responsibilities.

Since the women's clothing industry in mainland China has been mainly processed, the introduction of styles has been digested enough, and there is no room for creators. This dependence has made our clothing industry repeat at a low level, surviving with the design information from the West and Japan, and has gained some insignificant interests. So inertia is developing, but we are developing. But people are also making progress, and the pace is not smaller than ours. Even bigger.

This view is negative, and the change of international economic division of labor is rather difficult. But the existence is not always reasonable, and reasonable will become a reality. Any market pattern is not monolithic. "Change" is the basic feature of commodity economy.

The Japanese women's clothing industry has also been forced to trace the fashion of western fashion. Only Paris's first look. However, today's Tokyo has also become the world's costumes of the world, representing the glory of Oriental dress culture. Sen Ying Hui, KENZO, Lssey Miyake and others have gained the same status as world-class masters.

The consequent interest is the rise of Japanese clothing brands, and the high added value has brought vitality to enterprises.

There are two bases for China to become the rising star of contemporary women's art.

First of all, from a dialectical point of view, backwardness contains the opportunity for high speed development, and they do not have the difficulty of "leading" by the former traveler.

It can circumvent the twists and turns of many explorers, and directly digest the results of many failures.

Just like the relationship between the designer of computer software and the user, it does not know how many people or years of hard work it will take, and users copy it for only a few minutes or even seconds.

Second, clothing design is compelled to seek richness and variability. Chinese culture has strong heterogenous characteristics compared with western culture. It must not be replaced by each other. Only by playing this kind of characteristic fully, can it form the leading pattern in the expression of Oriental sentiment.

Chinese clothing culture has a long history, with a large number of exquisite craftsmanship.

The traditional clothing technology has unique charm. In recent years, young designers who have been trained by universities have a solid foundation in art.

In order to improve the artistic quality of clothing and pursue the high value-added brand, we must integrate these advantages and form the comprehensive design strength. This is a more complicated problem. We need aesthetic feeling, aesthetic imagination, aesthetic judgment, artistic vision, expressive techniques, technological level, way of thinking, value concept and other factors to promote the development of stamina.

Through the study of women's aesthetics, we can find out the problems in the formation of design skills, and propose solutions to promote the improvement of the artistic quality of women's clothing, increase the profit margins of the industry, and promote the rapid development of the clothing economy.