An International Multi Skilled Chinese Fashion Designer -- Yang Ziming (Cabbeen) Seven

Wang's man - another sky of designer Yang Ziming

If we use the "no smoke war" to describe the competition in the fashion design field, the smoke of women's clothing battlefield is far stronger than that of men's wear. When those women who like to play tricks and pursue exaggeration are still jealous, a man named Yang Ziming looks at men's clothes. A girl named Zhang Jing also rushes in, making efforts to achieve the king's status in fashion.

　　
  Yang Ziming's persistent Aestheticism

　　
In October 2004, Yang Ziming won the "most promising Fashion Designer Award" in Beijing's China France culture year. But who can think of such a trend pioneer not only did not receive a day of fashion design training, but also a "sports bar".

　　
    Life is in motion.

　　
Yang Ziming was not a "self abiding" person since his childhood. He was the youngest in the family, so he was often bullied. In his youth, he had no interest in learning, but he had an uncontrollable movement cell. He felt that boxing can make him strong and very manly. So Yang Ziming became the most lightweight boxer in the middle school. In 1992, the 48 kilogram class competition of the Fujian Provincial Games was the small man who stood unexpectedly on the third prize podium. Even more astonishing, he was obsessed with "beating, quick judging and fighting back", and after many years he started fashion design. When playing sports, the emphasis on "strength, direction and speed" is rooted in his mind. Everything in the future is the grasp and transformation of the three of them, including fashion design. The earliest chance to have intimate contact with clothes was in childhood, when he often killed time in a clothing factory where relatives had opened. He always liked to talk with his advice. Once I saw a few clothes "not pleasing to the eye", I simply took them home to let the tailor change his mind according to his idea. Presumably this is probably the first Yang Ziming design.

　　
    The tyrant was a man at home.

　　
"Fashion subversive" and "fashion tyrant", you will find that Yang Ziming's description is very man, perhaps with the athlete's personal temperament. Just as the designer of Cabbeen men's wear, Yang Ziming, a man who is man enough, is very sure of the beauty of feminine beauty. "Not only women love beauty, but men also love beauty. As long as it's beautiful, I think everyone will love it." It's just a matter of time and process. " Some people say that he is a good man at home. He can not help laughing when he hears such a "appreciation". "Family makes me enrich my life, dare to create, I love my family, love my wife and children, they are everything to me." It is not difficult to deduce the origin of appreciation. "I am very nervous now. There is another woman in my life. I love her very much..." On the day of the end of February 2006, many of the friends in the fashion circle received messages from CABBEEN. Yang Ziming, who was outside the delivery room but worried that he could not help him, turned over laughing. The birth of his daughter made him feel good about the fashion week, but it also prompted him to finish the new design idea he had been thinking about for a long time.

In Yang Ziming's view, clothing embodies the culture and tradition of a nation, as well as the carrier of civilization. He traveled through many countries, Las Vegas's luxury, Seoul tradition, Paris's romance, Tokyo's etiquette and finely, Dunhuang's extensive and profound culture, and these cultural changes in short time strongly impacted his ideology. Yang Ziming, who is rich in experience, is deeply aware that the essence of the beauty of eastern and Western costumes is valuable. It can create a new concept and connotation of fashion and make the world into a nation, so that the nation can become an international one. Clothing has vitality, it can express a person's thoughts and wants to do it boldly. Like the last autumn and winter show, he used a large number of ethnic elements, and every time he tried to "ingeniously" put them in the design of western style clothes, using a strong recommendation, let the stereoscopic Qilin pattern stand directly on the shoulders of men's suits in a red color. For example, the ink of "Lanting Pavilion preface" is actually completed by three-dimensional embroidery. It seems that the writing on the same black fabric is so thick that it seems to be dripping from the sleeves and clothes piece, and the feeling on the paper will come out. As he said, "the 5000 years of civilization in China left us too rich in cultural heritage. It is a huge and complicated system, and even numerous independent systems. The key is, what is mine?